This rambling novel is narrated by a cowboy working on and
off at a ranch called the Diamond Dot, somewhere in Wyoming. A foreman for the ranch owner, Jabez
“Cast Steel” Judson, he spends most of his time as a companion for Judson’s
daughter, Barbie. At the start of the novel, she is six years old, and at
novel’s end she is grown up and married.
During those dozen or so years, Happy leaves the ranch for
long periods of time, working on other ranches or traveling about. He spends
two winters as watchman at a mining camp. In San Francisco, he takes a job
handing out free samples of chewing tobacco.
Plot. There are
several stories in the novel. One of them is a log of Happy’s picaresque
wandering and adventures. Two others are mysteries that Happy eventually solves
as he comes across clues during his travels. One of these has to do with Barbie’s parentage and a dispute
over either a woman or a silver mine called the Creole Belle.
Happy Hawkins |
The other concerns two brothers who have come from England
to America, their whereabouts now unknown. Depending on which of them is still
living, one of them is heir to a title and family estate back home. In the end,
the two mysteries converge. And we discover that we have known at least three
of the characters involved in them, living with their secrets and under assumed
names.
Romance. A fourth
story weaving through all the others is a love story—really a love triangle,
with Barbie at the center. As she grows into a young woman, the friendship
between Happy and her evolves from affection to ever deeper affection.
In time, he realizes that he loves her.
But she falls head over heels for a younger man, Dick, whom
her father hires as manager of the Diamond Dot. Then a game of cards with a
visitor to the ranch turns abruptly menacing, and Dick is revealed as a gambler
with a bad reputation. After an exchange of gunfire, he flees and Barbie is
left with a broken heart.
A dispute over a game of cards |
Eventually, a neighboring rancher woos her, and with the
encouragement of her father, she agrees to marry the man. But Happy can see
that, in her heart, she still yearns for her absent lover, who by report turns
out to be married to a woman he keeps in Laramie.
On the day of the wedding, even as the bride and groom are
about to take their vows, Dick reappears to stop the ceremony. The woman in
Laramie is not his wife but the sweetheart of a dead friend. Not only that. She
is Barbie’s long lost mother. The wedding resumes, with a quick change of
grooms, and Barbie and Dick live happily ever after.
Yet it’s a melancholy resolution to this strand of plot,
since it leaves Happy alone and empty handed. He and Barbie have confessed
their feelings for each other, but he knows well enough that he would always
have been second in her affections.
Barbie |
Women. Barbie is a
character found in several early western novels. She is fiercely independent
and outspoken. She can ride and rope like a man, and she has the undying
devotion of every cowboy who works for her father. She has been gifted with
superior intelligence, hates school because book learning is too easy, and is
forever at odds with her teachers.
Growing up, she refuses to wear skirts and wishes she’d been
born a boy. It takes uncommon persuasion to get her to dress and behave like a
woman. This changes when her father sends her away to get a college education.
But it doesn’t change her disposition, which remains flinty and argumentative,
especially as her father refuses to tell her anything about her mother.
Among the novel’s various mysteries, a minor though unusual
one has to do with one of the ranch’s cowboys, Monody, who turns out to be a
woman. Big, ugly, and ungifted with graces, she has befriended the young Happy
and often tenderly “mothered” him, so that the bond of friendship between them
has grown deep.
Mortally wounded in a gun battle with horse thieves, she
makes him promise to let no one undress her should she die. Keeping that
promise, he prevents the doctor from examining her. Only in death does he
finally understand her secret, and he continues to honor her wishes by thinking
of her as a man.
A shootout with horse thieves |
Structure. This
episodic novel seems much like several stories that have been loosely cobbled
together. The mysteries that are revealed at the end run more like a motif in
the novel rather than a matter of narrative focus. They are in fact so
convoluted that the clues to them are bewildering. Once explained, they are
like the synopsis of another novel more extensively and thoroughly plotted than
this one.
It makes more sense to think of the novel as a long
character study. At the center of it is the narrator and title character, Happy Hawkins. A thoughtful man given to wandering about and having
adventures, he has his opinions and points of view. With his particular sense
of humor, he makes a believable and entertaining storyteller.
Monody |
Wrapping up. About author Wason (1874-1955) there’s little to be found in the
standard references. A biographical sketch in Who’s Who describes him as growing up in Ohio and leaving high
school after one year. He is portrayed there as clerking in a general store,
serving in the Army during the Spanish-American War, and tramping and “roughing
it” in the West. His fiction shows an interest in moral and social philosophy,
and he identified himself as a Socialist.
Wason has a half dozen or so
novels to his credit and a handful of stories in the early pulps. Happy Hawkins
appears in two more novels, Friar Tuck
(1912), reviewed here a while ago, and Happy Hawkins in the Panhandle (1914). His last novel-length work was a science fiction
serial, The Man Who Never Died, which
appeared in 1915 in Bernarr Macfadden’s health and fitness magazine, Physical
Culture.
Happy Hawkins is
currently available online at google books and Internet Archive and for kindle
and the nook. For more of Friday’s Forgotten Books, click on over to Patti Abbott’s blog.
Image credits: Illustrations
from the novel by Howard Giles
Coming up: Saturday music, Tommy Edwards
The structure sounds like the early "Hopalong" novels.
ReplyDeleteYou're right, Charles. Good observation.
DeleteGreat cover and illustrations.
ReplyDeleteAgreed. The first edition had an unusual number of illustrations, maybe 10 more. Usually 4-5 are the limit.
DeleteAlmost five years ago, I was in a small bookstore in Maine and came across a Robert Alexander Wason novel and bought it. Cover art and illustrations and copyright date intrigued me.
ReplyDeleteIt's getting hard to come by old books like this at a reasonable price, though every once in a while, I stumble onto something.
DeleteLouise Gauld in New Zealand here. I have a second edition of HH in the Panhandle. The cover is off... I am often quoting from the delightful first chapter.(The truth about women! Revealed by an old timer.) I can’t seem to find copies available anywhere. I could email photos of that first chapter if you like. Haven’t posted on a site like this before so don’t know the ropes. Not sure what Notify me implies even...well, see what happens
DeleteOne of B.M. Bowers' Happy Family books ("The Lonesome Trail" I think) copied the same idea -- a set of stories loosely strung together with the ranch and the same set of cowboys at the center.
ReplyDeleteThis looks interesting; I'm sorry that the other books by Wason on archive.org are not Westerns.
FRIAR TUCK, at google books, is a western.
DeleteRon, I am fascinated by the characterisation of the smart, brave, liberal, and outspoken woman in early westerns, often trying to be the son her father (probably) never had, so to speak. I think I might have read more westerns about daughters of ranch owners than sons. There is a certain appeal and vulnerability about these novels. The illustrations are, indeed, very good.
ReplyDelete