Jean and Lite |
This was B. M. Bower’s 15th novel, and like her The Phantom Herd a year later, it draws on her knowledge of the
movie business. Sixteen-year-old Jean Douglas, the title character, is a
no-nonsense daughter of a Montana rancher, Aleck Douglas, who in the opening
chapters is wrongly found guilty of murder and sent to prison. With the help of
a ranch hand, Lite Avery, she spends the rest of the novel finding the real
killer.
Help also comes in the form of a movie company from Hollywood, which
hires her as the stunt double for the leading lady of an action-packed western.
Able to ride, rope, and shoot with ease, Jean also contributes ideas for making
the film more realistic. Before long she is dreaming up scenarios for a Perils-of-Pauline
style serial, with herself in the starring role.
With the money she’s earning, she hopes to hire a criminal lawyer who
can, with enough evidence, get her father released from prison. In particular,
she intends to hunt down a cowboy who left by train for parts unknown on the
day of the murder. It’s believed that he was headed for the Klondike.
Meanwhile, a mysterious intruder has been entering the Douglases’ deserted ranch
house in the middle of the night, apparently in search of something.
Roundup, Great Falls, Montana, c1890 |
Style and
structure. All this makes for a curious
blend of genres, as the novel is in part a murder mystery, a south-of the-border
adventure, a love story, and a star-is-born story about the movies.
Readers curious about on-location movie shoots during the Silent Era
will learn a few things about the realities of film production, when cameras
were hand-cranked and a director shouted instructions to actors while scenes
were being played out.
The director in this case is Robert Grant Burns, whom Jean privately
disparages for his poor knowledge of the West, his lack of original story
ideas, and his dictatorial manner. All is forgiven, however, when she sees her
first Jean of the Lazy A movie at a picture palace in Los Angeles:
Jean in the loge
gave a sigh of relaxed tension and looked around her. The seats were nearly all
full, and everyone was gazing fixedly forward, lost in the picture story of Jean
on the screen. So that was what all those made-to-order smiles and frowns meant!
And she marvels at how Burns’ roughshod style of filmmaking and the exaggerated
acting demanded from his actors has produced such a smoothly vivid and
seductive illusion.
Romance. Not a great
deal is made of this, but a long friendship between Jean and a cowboy, Lite
Avery, blooms into affection—and then love—as they work together to get her
father released from prison. Lite’s feelings for her are tender and protective,
rather like an older brother’s, and Bower’s treatment of their emerging love is
so little dramatized that it fades into the background as Jean is reunited with
her father:
Tall and gaunt
and gray and old; lines etched around his bitter mouth; pale with the tragic
prison pallor; looking out at the world with the somber eyes of one who has suffered
most cruelly,—Aleck Douglas put out his thin, shaking arms and held her close.
He did not say anything at all; and the kiss she asked for he laid softly upon
her hair.
Wrapping up. Bower’s family had come as homesteaders to
the Montana frontier in 1889, when she was still a teenager. Married to another
young homesteader, she moved to Big
Sandy, 80 miles northeast of Great Falls. This was cowboy country, and Big
Sandy was a cow town with a regular population of about 100 people.
Still from Chip of the Flying U (Tom Mix, center) |
In 1904, she sold
her first novel to Street & Smith’s The
Popular Magazine, and by 1914 she was getting writing credits for films of
her novels and stories. Her Chip of the
Flying U (1906) came to the screen that year, with Tom Mix as Chip. Bower
eventually settled in Los Angeles. Thirty-eight of her 66 novels are set in
Montana, many of them about the cowboys of the Flying U Ranch. FictionMags
Index lists over 175 titles of her short- and long-form fiction published in a
range of magazines.
Jean of the
Lazy A is currently available online at google books and Internet Archive, and
in eook and paper formats at amazon, Barnes&Noble, and AbeBooks. For more of Friday’s Forgotten Books, click on over to Patti Abbott’s blog.
Further
reading/viewing:
BITS reviews of B. M. Bower novels:
Image credits:
Frontispiece by Douglas Duer
Wikimedia Commons
Coming up: Western movie themes
Thanks for introducing me to someone else I didn't really know about. I've got lots to learn.
ReplyDeleteA fascinating tale, Ron. I envy Jean her exciting life. I just sit and stare at a screen till a story "appears." Bummer.
ReplyDeleteRon, I have never read B.M. Bower and I enjoyed reading your review of this book. It was quite some time before I realised the author was a woman.
ReplyDeleteMany readers at the time did not realize this either. The initials stand for Bertha Muzzy.
DeleteWho could boycott a fine writer like Ms. Bower? I may read this just for the early movie information, let alone the cowboys and other characters that seem to be well drawn from your blog description. Another fine review, Ron!.
ReplyDeleteI was an early fan of Bower and thought she was a male author for many years. Tim McCoy wrote a memoir of his years as a cowboy in Wyoming (he became Wyoming's adjutant general) and how he got into silent pictures. Highly recommended.
ReplyDelete