Showing posts with label deadwood. Show all posts
Showing posts with label deadwood. Show all posts

Saturday, April 14, 2012

Western writer inspiration, no. 32

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter, where you can follow me @rdscheer if your attention is not already overloaded. As usual, click the pic to enlarge.
 
John Marsh House, Contra Costa County, California, c1870
Ely district, Nevada, 1871
Governors of Zuni, New Mexico, photo by John K. Hillers (1843-1925)
The Gem Theater, Deadwood, c1878
Huntsville, Texas, corner of Twelfth Street and University Avenue, 1870s
Quarrying granite for the Mormon Temple, Utah Territory, 1872
Overland stage road between Ogden and Helena, Wyoming, 1871

Picture credits: Wikimedia Commons
 
Coming up: James Stewart, Maureen O'Hara, The Rare Breed (1966)

Saturday, April 7, 2012

Western writer inspiration, no. 31

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter, where you can follow me @rdscheer if your attention is not already overloaded. As usual, click the pic to enlarge.

Santa Barbara Mission, California, 1876
Rio Grande, near Pole Creek, Hinsdale County, Colorado, 1874
No. 8. Roundhouse at Armstrong, Kansas, 1873
Camp Halleck, Nevada, 1872; photographer, Timothy H. O’Sullivan
Barracks, Fort Wingate, New Mexico, 1873; photo by Timothy H. O’Sullivan
Camp of Iron Sack, head chief of the Kiowa-Apaches, Indian Territory, 1873
Deadwood, Dakota Territory, 1876

Photo credits: Wikimedia Commons
"No. 8 Roundhouse," courtesy of Southern Methodist University, Central University Libraries, DeGolyer Library

Coming up: Spencer Tracy, The Sea of Grass (1947)

Saturday, February 11, 2012

Western writer inspiration, no. 24

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter [click to enlarge]. If you are on twitter, you can follow me @rdscheer.

A Texas pony, Frederic Remington, 1889
Chinese fishing village, San Pedro Point, San Francisco Bay, c1889
Livingston, Montana, 1884
Parade, Deadwood, South Dakota, 1888
Mount Tacoma from Commencement Bay, Washington, 1888
Marble Canyon, 2nd Powell Expedition, Arizona, c1872
Globe Hotel, Broken Bow, Nebraska, 1886

Picture credits: Wikimedia Commons 

Coming up: James Stewart, Audie Murphy, Night Passsage (1957)

Wednesday, July 6, 2011

The Life and Adventures of Nat Love (1907)

Here’s another one to add to the long list of cowboy memoirs. It has at least two distinctions. It’s one of the earliest written, and the author is an African American. Nat Love (his first name was pronounced “Nate”) was born on a plantation in Tennessee in 1854 and took to the West as a freed slave when still in his teens.

Arriving in Dodge City when the era of great cattle drives was at high tide, he got a job cowboying after proving he could stay on an unbroken horse. A quick learner, he soon mastered roping and sharpshooting. By his account, he was destined to become one of the most widely known cowboys in the West.

His life story includes almost an honor roll of frontier figures. He knew Buffalo Bill, Billy the Kid, Pat Garret, Bat Masterson, Frank James, Kit Carson, and Yellowstone Kelly. He claims to have visited Little Bighorn only days after the battle.

He seems to have missed meeting Wild Bill Hickok and Calamity Jane, only because he’d already left Deadwood when they got there. In fact, after proving himself riding and shooting champion at a July 4th competition in 1876, his brief stay in that lawless gold mining camp earned him the name Deadwood Dick.

If being “colored” (his preferred term) was ever a drawback for him on the frontier, he never mentions it. His story makes an interesting comparison with Henry Flipper, who at the same time was navigating the stormy waters of racial bias as an officer in the U.S. Cavalry. It’s possible that Nat and the other black cowboys he mentions remained low enough in the social order to escape resentment. Given his relentlessly positive attitude, it’s possible that he simply chooses to leave the subject alone.

Instead he focuses on the action, which he presents as welcome breaks in the dull monotony of herding cattle days on end. There are many instances of Indian fighting, with fatalities on both sides. His Indians are rarely more than bloodthirsty savages. He blames them, in fact, for the demise of the buffalo herds.

He is captured once by Indians and inducted into the tribe, apparently for having fought them so bravely. They pierce his ears and offer him a wife. After a month he escapes one night, riding a pony bareback for 100 miles. Another time he gets lost for days in a winter storm, staves off thirst by drinking the blood of a buffalo calf he’s killed, and nearly freezes to death. When his mates find him, they bury him naked in snow to let him slowly thaw out.

There are also hot pursuits of “greasers,” half-breeds, and white thieves who run off and scatter the cattle on the open range. Fierce, all-out war finally reduces their numbers. In all his skirmishes Nat sustains 14 gunshot wounds, none of which slows him down for long.