This straight-up western stars George Montgomery as the
leader of an outlaw gang who wants to settle down with his sweetheart (Ann
Robinson) and become a law-abiding rancher. The gang isn’t happy to see him go
and tries to spoil his plans. The only way for Montgomery to put his past life
behind him is to eliminate the gang—which he does.
That’s the plot in a nutshell, and there are few surprises
along the way. Montgomery shows his true character by rescuing an orphan boy (Bobby
Clark), and he comes to the aid of several Texas rangers who’ve been ambushed
by the gang. Though he’s been AWOL for two years, we also see there’s still
some magic in the old charm as he persuades a reluctant Robinson to take in the
boy.
In a nearby town, Durango, the local sheriff (Frank
Ferguson) and the banker are also taken in. They consider Montgomery
trustworthy enough to give him a job at the bank. This arrangement suits the
gang, whose leader (Steve Brodie) engineers not one but two robberies.
Montgomery, however, has agreed to a 30-day truce with Brodie and gets himself
called a coward for not taking a shot at the gang when he has a chance.
Ann Robinson, George Montgomery |
Brodie ups the stakes when he kidnaps the boy. Montgomery
cooperates with the gang to get the boy back, but the sheriff is now onto him.
He has to dive through a window in Robinson’s ranch house to avoid arrest.
There’s a final confrontation at the gang’s hideout, where shots are fired and
Montgomery turns what’s left of the gang over to the sheriff.
In the last moments of the film, Montgomery has received a
governor’s pardon, the bank’s money has been returned, and the boy has been
adopted by Montgomery and Robinson. All is well. A sheriff sees a lot of things
in his job, Ferguson says with a smile, but “some are fine, mighty fine.”
Wrapping up. As a
western this one is not above average. Montgomery gives a serviceable
performance, but his heart doesn’t seem to be in it. To his credit, he looks
comfortable on a horse, a skill that first got him into movies in the 1930s as
a stunt rider.
Ann Robinson is a pleasant grace note, though given a
wardrobe that first puts her in tight dude ranch-style Levis and a work shirt
over a 1950s brassiere. Instead of looking like she just stepped from a dusty
corral, she’s looks like she just stepped off the cover of a pulp fiction
paperback. But once she is installed as a romantic interest for Montgomery, she
softens, wearing a long dress that’s more feminine and 1880s.
Montgomery (on the roof) shoots it out with the gang |
The supporting cast includes Denver Pyle as a likeable Texas
Ranger. Frank Ferguson plays the sheriff with warmth and depth of character.
The outlaw gang has its share of screen time, and Steve Brodie shows an
irritably nasty streak, but they never quite find the villainy in their roles.
Don (“Red Ryder”) Barry may turn in a better performance elsewhere, but in this
film he seems flat and lost.
Shot in Simi Valley, this black-and-white film looks like it
was made in a hurry. Director Sidney Salkow did a lot of TV work, and the
production may well reflect a TV-scale budget and shooting schedule. The
honor-among-thieves ethic that the script has Montgomery’s character upholding
is an interesting twist that might have been believable in other hands. But
time and talent seem not to have been in ample supply for this western.
Gun Duel in Durango is
currently available at netflix and at amazon. For more of Tuesday’s Forgotten
Movies, head on over to Todd Mason’s blog.
Source: imdb.com
Coming up: Gordon Shireffs, Trail's End (1959)
In the photo of the stars, hard to tell who's wearing the more cheekbone-enhancement makeup...I dunno, that dude-ranch getup for her you mention sounds pretty attractive, if achronic and otherwise unlikely...
ReplyDeleteThose 50s torpedo brassieres annoy me. I suspect this story would too. It defies probability.
ReplyDeleteIn spite of not being above average, this sounds like an interesting film.
ReplyDelete