Plot. Arriving in the spring of 1883, the new arrivals stake out their claims on the flat, treeless prairie. Everything about this unbroken land lifts their spirits and fills them with hope for a bright future. They throw up one-room cabins for shelter and begin to make improvements that will give them rights to ownership of their holdings.
As the year progresses, however, their tentative grip on a spot of land becomes more doubtful. First there is drought, then there’s a massive and terrifying storm. Finally winter weather sets in and they are isolated by blizzards that threaten them and their livestock with starvation and death by freezing.
A couple at the center of the story, the Burkes, do not weather well under these conditions. She develops an attachment to another man, Rivers, the agent who has led them to their claim and delivers mail from town. He is something of a ladies man and enjoys the idle flirtation.
|Hamlin Garland, 1893|
Knowing already that he would have wooed her were it not for her marriage, Rivers puts her into his wagon. Together they brave the snow and cold with intentions to leave the country forever.
East vs. West. As a western story, The Moccasin Ranch finds its own way of pushing the limits of Eastern propriety. The weather forces the fleeing couple to stay overnight at the cabin of Rivers’ partner, Bailey, who instantly objects to the couple’s betrayal of her marriage vows. With his well-conditioned ideas of morality, he regards Rivers’ behavior as “lustful” and Mrs. Burke as “wanton,” and he tries to prevent them from going through with their plan.
While the three of them are snowbound in the cabin, Bailey tries to pass the time by reading aloud stories from magazines. Ironically, some are love stories about “innocent creatures” who overcome obstacles to find “bliss” in each other’s arms. Rivers and Mrs. Burke, alas, don’t qualify as innocent.
Then, the magnitude and indifference of the storm outside makes Bailey realize that on the frontier they do not inhabit a world of conventional values. The deep caring he sees between the two lovers surprises and touches him. He comes to see that it surpasses the man-made requirements of a marriage contract. The following day, they depart with his blessing.
|Illustration by John Newton Howitt|
And in this case, Mrs. Burke doesn’t even need to claim that her husband was unfaithful or beat her. Burke is in fact a fine husband. It’s enough that she has finally found the man she would have married if she’d met him first. The love of true hearts is enough to free a woman from a marriage vow. Period.
Landscape. There’s some irony in the title of The Moccasin Ranch. It’s the name the Burkes give to their modest acreage, and it reflects their aspirations. It’s also in keeping with how they relate immediately to the land, thrilled and made hopeful by its beauty. There “the majesty of God’s wilderness” even affects the quality of folks' social relations. Neighbors mix freely regardless of origin or gender (with the exception of some clannish Alsatians). Gone are “envy and hate and suspicion.”
By November, however, after living for months on canned beans and crackers, the new residents are growing weary. The plain has become an “oppressive weight,” and the land is “gray and sad.” As winter approaches, it becomes a “menacing desert, hard as iron, pitiless as ice.” The wind, once a solace, becomes savage and unrelenting.
|Willa Cather Memorial Prairie, Red Cloud, Nebraska|
The anti-romanticism of The Moccasin Ranch no doubt reflects Garland’s early years on the rural frontier. Willa Cather knew it too from her girlhood in Nebraska. According to Garland, the frontier is a test of both fortitude and personal circumstances. Some thrive, some don’t. More than will power, the heart can make all the difference.
The Moccasin Ranch can be found free online at googlebooks and Project Gutenberg. It is also available at amazon and for the Nook.
Sources: FictionMag Index; imdb.com
Photo credits: Wikimedia Commons
Coming up: Western photographer, Peter Brown
I think quite often of the incredible loneliness of the west for the first settlers. The isolated cabins. the hours trapped inside those cabins by storms and snow. It would take a helluva man and a woman to survive through all that.ReplyDelete
Thank you for bringing Hamlin Garland to my attention. He is an important American novelist and a Pulitzer winner in biography, for Daughters of the Middle Border. But I hadn't realized he was a major novelist of the West, too.ReplyDelete
I have to admit, having read some other things about this approximate place and time this isn't one I'd want to read. Depressing is probably the best word I can think of, in spite of the educational value. The settlers who went further, into the foothills of he Rockies or wherever where there was forest, woods game and water were much better off in the long run, even if they had the same cruel winters. Those who made it all the way to California or Oregon-Washington had it the best, though of course that journey was much longer, more expensive and more cruel in it's length and challenges.ReplyDelete
I really like the cover on this, is there any clue to the artist?
I mostly know of Garland as a somewhat machismic poet, though I knew he wrote prose as well...glad to see there was more to him...ReplyDelete
Charles, a legend in the family is that the original Scheer homestead was acquired from someone who didn't want to go through another Nebraska winter.ReplyDelete
Richard W., I've not read much of Garland, but I get the impression his main contribution to western writing is in short fiction, much of it autobiographical.
Richard R., the open plains offered a harsh climate, much of it too dry for farming. Those for whom the agrarian myth failed moved farther West. The luckiest were those who made it all the way to the West Coast. The only illustration credit I can find for the book is John Newton Howitt.
Todd, his fiction seems to be extensive.
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