Lillibridge gives it more of an “adult” angle by having his central character, Ben Blair, born out of wedlock. This single fact is so distasteful that the circumstances of his parentage are not even specifically revealed. You have to read between the lines.
Plot. The woman he loves is a childhood friend, Florence, from a neighboring ranch. Not only does she object to Ben’s being misbegotten. She is bored and yearns for the excitement of the city. She also has high hopes of finding a husband with an elevated social standing. So off she goes to New York.
Much of the second half of the novel involves Ben’s arrival in New York with his own hopes of changing her mind. A fish out of water in his hat, flannel shirt, and boots, he learns that she’s already being courted by a man of superior breeding and wealth. Yet as Ben’s prospects go from bad to worse, he is undaunted.
You already know how this turns out. On the last page, she finally relents, professing her love for him (despite his parentage), and she agrees to return with him to the frontier.
|Prairie, South Dakota, photo by Wing-Chi Poon|
Twelve years pass, and Ben is now grown into a young “plainsman.” He is taciturn, stoic, and fearless, his moral superiority fully developed as compensation for the stigma of his birth. Standing for all that his father never was, Ben is a man whose actions are defined solely by responsibility.
The clarity of his thought comes through in his scenes with other characters. A conversation with him is a chess game – not with someone who uses words to manipulate but to cut straight to the heart of the matter. He says what he means and means what he says. And it doesn’t take many words to do that.
That’s appealing in a character, and we admire it in the laconic heroes that came later with western movies. Today, used to prevarication and half-truths in high places, we are likely to welcome it – even find it a little bracing.
|Great Plains, photo by Decumanus|
By contrast, he has nothing good to say about city living. There, “countless thousands of human beings sweltered and struggled in desperate competition for daily bread.” Ordinary working folks are ground down by the daily routine and drag themselves in a kind of daze to and from their labors. The poor and immigrants live in crowded conditions, which discourage lawfulness and propriety.
Meanwhile, the well-to-do are enervated, shallow, and self-indulgent. Witnessing the idle pastimes of the leisure class, Ben is disturbed by their indifference to the welfare of the less fortunate. In the “democratic” West, he observes, the elderly and unfortunate are not shunned. People out there look after each other.
|Illustration, Maynard Dixon|
The head-scratcher is that Ben continues to like her and is determined to marry her. We know that her rejection has hurt him deeply, and her absence makes him ache with loneliness. But have her he must, and while a glimpse into his heart might clarify this puzzle, Lillibridge offers us hardly a peek.
What no one troubles to sort out is how the cold resolve of Ben Blair to have Florence for himself against all odds passes for anything like romantic intentions. That there are men like him isn’t in question. But how he ranks as marriage material certainly is. Admirable in so many respects, he’s a man’s man. It would take a trusting woman to expect any degree of conjugal warmth from him.
|Contents include a story by Lillibridge|
William Otis Lillibridge (1877-1909) grew up in South Dakota. Trained as a dentist, he had a brief writing career that ended with a posthumous collection of short fiction, A Breath of Prairie and other stories (1910). One of his stories appeared in The Argosy in June 1903. Two of his novels, including Ben Blair, were made into films. The latter, made in 1916, starred Dustin Farnum, who had just previously completed lead roles in The Virginian and The Squaw Man.
Ben Blair: The Story of a Plainsman can currently be found at amazon and AbeBooks. It’s available free online at google books and Project Gutenberg.
Illustration from first edition of the novel, by Maynard Dixon
Argosy cover from FictionMags Index
Others from Wikimedia Commons
Coming up: Broken Lance (1954)
That "inborn" morality wasn't an uncommon plot back in the day. ERB used it a few times. Zane Grey. More of a 'nature' than a 'nurture' argument.ReplyDelete
Charles, it often seems to be the case that Nature is the nurturer.ReplyDelete
Oh for the days when back story was permitted.ReplyDelete