|William Nelson Cromwell, attorney, 1904|
But as the need grows to administer property rights and establish ownership of land and mining claims, lawyers begin to find a niche for themselves. An influx of other business interests then calls for the orderly settlement of conflicts, and we see the introduction of due process—generally referred to as “the coming of the law.” And the lawyer becomes a fixture of the frontier landscape.
The reputation of fictional frontier lawyers is pretty much the same as it is today. In novels set during the period, they’re either fighting bravely for justice or they’re in league with the villains. Here is a sample of lawyers of both kinds, as writers portrayed them at the turn of the last century.
In Maria Amparo Ruiz de Burton’s The Squatter and the Don (1885) squatters enlist the services of a shady lawyer, Roper, to force a Californio ranchero off his land. Contemptuous of both fair play and legality itself, he’s in league with a crooked judge, aptly named Lacklaw, who hands down rulings favoring Roper. The state Supreme Court routinely overturns his decisions.
In Mollie E. Davis’s The Wire Cutters (1899) a gang of young men is jailed after a deputy is shot trying to stop them from cutting barbwire fences. Though they have scorned a local rancher, Roy Hilliard, for refusing to join their nighttime raids, he magnanimously comes to their defense, using his legal training to act as their attorney at their trial. After an impassioned plea, he gets a not-guilty decision from the jury.
|Clifford G. Roe, 1911|
Pauline Bradford Mackie casts a lawyer in a love triangle in The Voice in the Desert (1903). Jarvis Trent finds the woman he once loved, Adele Lispenard, in a desert settlement in Arizona where she lives a spartan life married to a clergyman. Lawyering has made him a wealthy man, and he’s only partly successful in winning her away from her husband. She takes his money and heads back East with her two young sons—but without Trent.
A young lawyer, David Kent, takes a job as corporate attorney for the western division of a railway in Francis Lynde’s The Grafters (1904). A gang of corrupt politicians takes the governor’s office and engineers legislation calling for state regulation of the industry. Then, with the help of a pliable judge, they get Kent’s railroad thrown into receivership. The rest of the novel recounts Kent’s attempts to recover the railroad and put a stop to the “grafters” of the title.
Emerson Hough was himself trained as a lawyer and lived for a short time in White Oaks, New Mexico, a mining and cow town much like the one in his Heart’s Desire (1905). Dan Anderson is one of two lawyers in the sleepy settlement, for whom there is hardly work for one. They and their bachelor friends amuse themselves with pastimes like croquet and yearn for the love of a good woman.
|Edwin W. Sims, 1910|
A lawyer, Eugene Winslow, is cast as an adversary of Clement Vaughan, the town’s minister in A. B. Ward’s The Sage Brush Parson (1906). Winslow uses the local debate club to maneuver Vaughan into taking stands in public that will embarrass him and undermine the loyalty of his following. Learning that Winslow is taking liberties with a trusting servant girl, Vaughan confronts him with knowledge of his misbehavior. Winslow is angered and defensive enough to pull a gun on him—inside the church.
John Campbell, a young lawyer fresh out of law school, is the “pilgrim” in John C. Bell’s The Pilgrim and the Pioneer (1906). Arriving in Colorado, he is coached by an older man, Joshua Wickham, who shows him the ropes of lawyering in a mining town. A man of principle, Wickham decries the corrupting influence of money on the judicial system. Because money buys the best lawyers, he argues, fairness has already been compromised before judge and jury hear a case. This is illustrated when the two men witness a divorce case in which a wealthy older man mercilessly rids himself of an unwanted wife who can afford only an inexperienced attorney.
The coming of the law to subdue the lawless element in a Dakota community is the subject of Kate and Virgil D. Boyles’s Langford of the Three Bars (1907). In that novel a young lawyer, Dick Gordon, has tried for years to bring justice to the county of Kemah, but jury after jury has declined to convict. He is despondent from repeated failure and self-doubt. With only a handful of friends he can count on, he soldiers on, fighting the good fight.
|Henry S. Boutell, c1910|
Arthur Latimer is the idealistic lawyer in Alice Harriman’s A Man of Two Countries (1910). Defying corruption in Montana state politics, he is a model of integrity, rising in a few short years to the bench of the state Supreme Court. With the help of his friend Phillip Danvers, he is able to prevent the novel’s villain from buying an office as state senator. Though incorruptible, Latimer is not shielded from personal tragedies. He marries a woman who never loves him, and his young son dies. Of fragile health himself, he is finally shattered by discovery of his wife with someone he’d long taken for a loyal friend.
That’s a sample from 25 years of novels. The good, the bad, and the ugly. Not mentioned are the unseen corporate lawyers who figure in the background of several plots, working in the interest of Big Railroads and Big Mining. They represent an aspect of frontier life seldom found in traditional westerns, where justice is typically found at the end of a gun.
Reviews of other lawyer novels
Coming up: Ride Lonesome (1959)