Number two in Richard Wheeler’s series of novels about frontier newspaper editor Sam Flint, this is an unusually dark tale for the author. There are moments of harsh realism in the first one, Flint’s Gift, but Wheeler creates a mining community in his second novel so merciless that readers can be tempted to lose faith in the West of honest men and deeds they turn to the western story to reaffirm.
Plot. It’s the summer of 1870, and itinerant editor Flint picks a New Mexico gold mining town, Oro Blanco, to set up shop. He quickly meets the man who will become his nemesis, the town marshal, Crawford. The marshal is not just the law. He is a brutal bully who uses his authority to physically dominate and punish anyone who crosses him.
He actually shows little respect for or understanding of law or what it has to do with law enforcement. He simply makes threats, cracks heads, and throws people in jail he doesn’t like. He is soon at loggerheads with Flint, who just wants to print the news.
|Printing press, 1835|
Weed, a polished man driven by insatiable greed, will do anything to prevent that. Flint quickly becomes a thorn in his side. But rather than condone Crawford’s high-handed use of force to put Flint out of business, Weed brings in a rival newspaper to print trash about him and his efforts to thwart Crawford and to bridge the distance between Mexican and Anglo residents of the town.
Caught in the middle is a 12-year-old girl, Libby, whose widowed mother is dying of consumption in a state of utter poverty and destitution. Libby is befriended first by Flint and then by a seven-foot Cornish miner, Mountain Jack Treat, who refuses to be intimidated by Crawford and his deputy thugs. Flint gives her a job at the newspaper, sending her to a street corner to sell copies of his weekly. Treat organizes a boycott of the mayor’s saloon and opens his own bar, patronized by loyal fellow miners.
Theme. The story grows steadily darker. Readers find themselves in a corrupt world where the innocent are at the mercy of forces of darkness bent on driving them to ruin and despair. While the powerful Treat gladly brings his muscle to their defense, even the usually quick-witted and reasonable Flint is reduced to using his fists. You watch as he and his journalistic ideals are beaten into submission, and you may well feel a rising tide of grim dismay far more chilling than Wheeler’s deliberately crafted narrative suspense.
|Pinos Altos, New Mexico|
Wrapping up. This is a complex story with additional characters deftly woven into its fabric, notably a free-spirited woman from Boston, hoping (ironically) to bring civilized culture to the frontier. Then there’s the Mexican priest, Cordoba, whose spiritual strength remains unshakable while he is powerless to prevent his parishioners from being harassed and driven off by their Anglo tormentors.
In its starkest portrayal of human misery, the novel gives us Libby’s stricken mother, whose consumption is described in unforgettable and unsparing detail. There’s no Camille-like distancing from the ugly fact of an illness that struck down so many who went west for relief from it.
Like the truth-telling Flint, Wheeler also exposes at close range the racial animosity that separated Anglo and Mexican citizens after annexation following the Treaty of Hidalgo. The novel shows in no small part how greed, corruption and brute force—papered over with notions of manifest destiny—deprived many of ancestral lands that were rightfully theirs.
Flint’s Truth is currently available in print, audio, and ebook formats at amazon, Barnes&Noble, and Abebooks.
Image credits: Wikimedia Commons
Coming up: Glossary of frontier fiction