Showing posts with label charles russell. Show all posts
Showing posts with label charles russell. Show all posts

Saturday, October 29, 2011

Western writer inspiration, no. 9

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter [click to enlarge]. If you are on twitter, you can follow me @rdscheer.

Cattle drive, Deep Springs College, Big Pine, Californa
Loops and Horses are Surer Than Lead. Charles Russell, 1916
Crowley P. Dake, U.S Marshal, Arizona Territory (1878-1882)
Calgary Stampede parade, 1923
Throwing a cow. Palo Duro, Texas
Cowboys around the chuck wagon, Belle Fourche, Dakota Territory, 1887
The original Hopalong Cassidy, Frank Earle Schoonover, 1905

Image credits: Wikimedia Commons

Coming up: Buster Keaton's Go West (1925)

Saturday, October 8, 2011

Western writer inspiration no. 6

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter [click to enlarge]. If you are on twitter, you can follow me @rdscheer.

Montana cowboys herding cattle
A Bad Hoss. Charles Russell, 1904
The Horse Rustler, William Herbert Dunton (1878-1936)

Luke Short, gambler and gunfighter (1854-1893)
Cowboys branding cattle, 1891
Cowboy dinner-time, c1890
Roundup on the prairie, c1890

Photo credits: Wikimedia Commons

Coming up: The Westerner (1940)

Saturday, October 1, 2011

Western writer inspiration #5

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter [click to enlarge]. If you are on twitter, you can follow me @rdscheer.

Cowboy boots, (CC) Cyril Mayer

A Bronc to Breakfast by Charles Russell, 1912

Zydeco cowboy, Geno Delafose, (CC) I, Sumori

Buffalo Bill's Wild West; poster, c1899

Cattle roundup, Great Falls, Montana, c1890

South Dakota cowboys branding cattle, 1888

Texas cowboy by Stanley L. Wood (1866-1928)

Image credits: Wikimedia Commons

Coming up: Overland Journeys in Early Western Fiction

Saturday, September 17, 2011

Western writer inspiration no. 3

Here is this week's omnibus of #westernwriter inspirations posted each day at twitter. If you are on twitter, you can follow me @rdscheer.

Montana cowboys, 1904

Smoke of a .45, Charles Russell, 1908

Steer wrestler

Montana cowboy herding cattle, c1910

Straw

Working cowboys near Benjamin, Texas (CC) Pschemp

Come and get it!


Image credits: Wikimedia Commons 

Coming up: Old West glossary no. 20

Saturday, September 10, 2011

Western writer inspiration no. 2

Introduced last week and continuing today is a collection of the past week's #westernwriter inspirations posted each day at twitter. If you are on twitter, you can follow me @rdscheer.

Cowboys and surf

River crossing, c1910

Buccaroos, Charles Russell, 1902

Bull wrestling. Frederic Remington, 1895

Mustangs, Utah
Idaho cowboys driving cattle
Arizona cowboys, roused by a scout, 1882



Image credits:
Wikimedia Commons

Coming up: Old West glossary, no. 20

Friday, November 12, 2010

Casual Friday: Cowboys in art

Looking for cowboy pics at wikimedia this week, I came across a bunch of reproductions by painters from 100 years ago. As a break from all the verbiage here, I am posting some of them today. Enjoy.

Buccaroos, 1902 by Charles Russell (1864-1926)

A Dash for Timber, 1889 by Frederic Remington (1861-1909)
 The Herd Quitter, 1897 by Charles Russell

Arizona Cowboy, 1902 by Frederic Remington

Rounded Up by God by Henry F. Farny (1847-1916)

Defending the Stagecoach by Henry F. Farny

A Bad Hoss, 1904 by Charles Russell

Lassooing a Steer by Charles Russell

Cowboys in the Badlands by Thomas Eakins (1844-1916)

Cowboy Singing, 1890 by Thomas Eakins

Further reading:
C. M. Russell Museum, Great Falls, Montana
Frederic Remington Museum, Ogdensburg, New York
Thomas Eakins gallery tour, Philadelphia Museum
Online gallery of works by Henry F. Farny

Image credits: wikimedia.org

Coming up: A. B. Guthrie, Playing Catch-up

Wednesday, August 4, 2010

Book: Chip of the Flying U

B. M. (Bertha Muzzy) Bower (1874-1940) is a pistol. Her first novel, Chip of the Flying U (1906) is craftily written, with one eye on her own authentic experience and the other on Owen Wister’s flights of romantic fantasy in The Virginian.

You can tell that she knew ranching and cowpunchers from first-hand experience, living in Montana. The level of specifics is at least a couple degrees more closely observed than Clarence E. Mulford (Bar-20), who had to rely on the books he’d read and his imagination, writing at long distance from New York.

In an opening scene around the table where a half dozen cowboys are eating and talking, you know that Bower has seen and heard scenes like this maybe many times. How the men interact as they express their fears and prejudices about women is sketched in with broad strokes but accurately understood.

She has a great eye for details. When a man indulges his love of syrup poured over biscuits or pinches out the flame of a match after lighting a cigarette, her scenes leap to life. Likewise in the first pages, when a rider’s horse shies at the sight of a letter being waved in the air by another man.

And then there’s her description of the bunkhouse, from the misstep her heroine takes coming through the door to her realization that the men don’t sleep in bunks and do read magazines. These moments aren’t there to show off her writer’s credentials. They are almost throwaways, and you know there’s a whole lot more where they came from.

Later on, her main character Chip pitches a magazine across the room when the western story he’s reading gets the details wrong. “I’d put a bounty,” he says, “on all the darn fools that think they can write cowboy stories just because they rode past a round-up once, on a fast train” (pp. 198-199).

Unlike Mulford, whose cowboys are almost indistinguishable from each other, her men are drawn in clear profile. Yes, they are almost caricatures, but you realize that this is the way they see each other, as stereotypes. Bower understands that working men don’t care to know each other any more personally than that.