Turkey shopping |
Sunday, November 30, 2014
Drifting
Thursday, November 27, 2014
Barbara Angle, Those That Mattered (1994)
Mining is a frequent theme in early frontier fiction, though few writers
actually take us into the mines, where the work is done. One notable exception
is Mary Hallock Foote’s The Led-Horse
Claim (1883). Though miners were fiercely superstitious about women in
mines and the bad luck their presence there foretold, Foote sends her female
protagonist below ground, to experience a netherworld of darkness and isolation
where men toil in the dangerous extraction of gold, silver, or copper.
More common are stories about mining communities and their social life
centering on a favorite saloon or among the wives of the miners. Two novels, A.
B. Ward’s The Sage Brush Parson (1906) and Mrs. Wilson Woodrow’s The New Missioner (1907) recount the
affairs of clergy in their midst.
Monday, November 24, 2014
Western movie themes
A change of pace today at BITS—a baker’s dozen of western
movie and TV themes. Click through on any of the titles and give a listen at
YouTube. Feel free to mention any you would add to the list.
For this week’s posting of Overlooked Movies and TV, click
on over to Todd Mason’s blog, Sweet Freedom.
Image credit:
High Noon poster, Wikipedia
Coming up: TBD
Sunday, November 23, 2014
Funhouse
Morning sky |
Change of pace this weekend
as I recovered from a four-day “chemo hangover” (fatigue, no interest in food).
An apartment mate from undergraduate days who has retired to Palm Springs rode
his Vespa over to spend a couple days and nights as a houseguest. My wife,
meanwhile, took a much-needed break from caregiving and met up with a friend
for some R&R in Los Angeles.
Thursday, November 20, 2014
Robert J. Conley, Quitting Time (1989)
This short novel is a curious cross between a standard western and an
Agatha Christie murder mystery. The central character, Oliver Colfax, is
something of a range detective, with a license to kill, should he be so
inclined. But he’s grown weary of the work that has been his livelihood and is
looking to retire from being a gunman for hire. It is, as he says, “quitting
time.”
Considering a job for a Colorado cattleman who believes he is the victim
of rustlers, Colfax travels to a small frontier town, drawn in part by the
opportunity to see a touring theater company perform Shakespeare’s bloody
tragedy, Titus Andronicus. Agreeing
with the cattleman to find out who, if anybody, is rustling his stock, Colfax
gets to work and determines before long that a gang of cowboys at a nearby camp
are the only likely suspects.
Labels:
book review,
colorado,
western fiction,
western writers
Monday, November 17, 2014
Five Easy Pieces (1970)
Not many viewers will ever have seen this as having connections with
frontier fiction or the western, but they are there. The young Jack Nicholson
plays the black sheep of a cultured family of musicians. Trained as a classical
pianist, he has long ago left home and lives as a drifter, taking jobs and then
moving on, as he explains, to “get away from what gets bad if I stay.”
He is currently working as a roustabout in oilfields not far from
Bakersfield, California. He has a live-in girlfriend (Karen Black) with musical
aspirations of her own—to be a country and western singer. (There are Tammy
Wynette songs on the music track.) His best buddy (Billy Green Bush) is married, but the two men happily drink nights away, or they hook up with a couple of
unattached females (Sally Struthers, Martina MacGuire) that Nicholson meets at
a bowling alley.
Sunday, November 16, 2014
Ginger, cinnamon, and cardamom
Autumn grasses and blooms |
Cancer has me
rather knocked out of orbit, and I’m trying to let go of some old behavior
patterns that once offered me some stability. Or I thought they did; now it could
well be that they were just holding me back. There is a tenseness across the
shoulders that’s easing, and I am less in the thrall of worry when familiar
reassurances of health, predictability, and order are no longer handy to lean
on.
Still, to keep
from awfulizing, I fall back at times on an old mantra: “Everything’s working
out beautifully.” The alternative is to be constantly anticipating the worst,
which robs the present of the strength it gives to live each day for what it’s
worth.
Thursday, November 13, 2014
B. M. Bower, Jean of the Lazy A (1915)
Jean and Lite |
This was B. M. Bower’s 15th novel, and like her The Phantom Herd a year later, it draws on her knowledge of the
movie business. Sixteen-year-old Jean Douglas, the title character, is a
no-nonsense daughter of a Montana rancher, Aleck Douglas, who in the opening
chapters is wrongly found guilty of murder and sent to prison. With the help of
a ranch hand, Lite Avery, she spends the rest of the novel finding the real
killer.
Help also comes in the form of a movie company from Hollywood, which
hires her as the stunt double for the leading lady of an action-packed western.
Able to ride, rope, and shoot with ease, Jean also contributes ideas for making
the film more realistic. Before long she is dreaming up scenarios for a Perils-of-Pauline
style serial, with herself in the starring role.
Sunday, November 9, 2014
Portals
Sunrise sky |
A portal I passed through
this week has surely been another stage of accepting my mortality, which has
continued to be largely an abstraction for me until now. I am beginning to let
go of an expectation that I can persist in a routine of reading, writing
reviews, and blogging, while actively participating in an online community of
like-minded virtual friends.
In recent weeks, as the
latest round of chemo has slowed me down again, I have become aware of the
effort required to do all that. I have been surprised by a falling off of
interest in reading and a diminished ability to write coherently and at length
about books and films that I can relate to what has been a focus of my
blog—frontier fiction as it originated and continues to evolve and flourish.
Saturday, November 8, 2014
Kim Zupan, The Ploughmen
One reader has compared this novel to No Country
For Old Men because of a murderous central character, John Cload, who
brings to mind yet another dark work of fiction The Silence of the
Lambs. Cload is more than a little like Hannibal Lecter, as he
befriends a deputy sheriff who keeps him company from outside his jail cell
through long, sleepless nights and escorts him to and from the county
courthouse where he is under trial.
The deputy, Valentine Millimaki, has been encouraged by the
sheriff to learn what he can about Cload that might help in the trial. But
besides a single killing, for which there was a witness, the deputy remains
unaware that Cload has bodies buried all over the rough Montana country along
the northern shores of the upper Missouri River.
Not more than marginally interested in Cload anyway,
Millimaki has troubles of his own. Cload correctly senses that they are woman
troubles. As a schoolboy, Millimaki once discovered the body of his mother, who
had hanged herself in a barn on the family farm. Now, his young wife has left
him, weary and depressed by life in a backwater Montana town.
Wednesday, November 5, 2014
Jenny Shank, The Ringer
Review and
interview
Frontier fiction did not end with Louis L’Amour. Its themes and issues
continue among today’s writers who place their stories west of the 100th meridian.
Jenny Shank’s The Ringer is a fine example of how the
frontier, despite Frederick Jackson Turner, has never really closed.
Set in modern-day Denver, this novel takes up two topics that date back
to the origins of frontier fiction: the use of deadly force in law enforcement
and the conflict between whites and the region’s ethnic populations, especially
Spanish-speaking inhabitants who have long lived in the lands of the Southwest,
taken in conquest by the U.S. government from Mexico.
Labels:
book review,
colorado,
western fiction,
western writers,
women writers
Sunday, November 2, 2014
Kinda blue
Morning sky over the foothills |
Another birthday came and
went this week. I am now 73. With that development, my driver license expired,
and I am reminded of how my first reaction to cancer was the determination to
keep my independence. But that was not quite to be. I soon discovered that the
brain tumor, surgery, and/or radiation have affected my depth perception to the
extent that it is now hazardous for me to drive a car. I’m even dangerous with a
shopping cart, as I found on a recent trip to Trader Joe’s when I took a corner
too short and brought down part of a display of canned goods. (I thought that
only happened in the movies.)
I have had to give up the
independence that driving has given me since I was 13 or so, when I first took
the wheel of a pickup on the farm. I’m now chauffeured to doctors’ appointments
by my wife, which is okay for me but adds an additional responsibility for her
as an already overworked caregiver. I sometimes ride shotgun on trips to
the post office and for groceries, so she can stay behind in the car while I
run inside.
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